Reconnecting to ancestral religious traditions, the recent projects of Gregorio Samsa proposes a re-reading of our contemporaneity through a filter typical of tribal societies. The painted fencing mask that makes prominent appearances in these works forms the mediative element through which, a spirit of our time is made visible. Through the elicitation of questions surrounding identity and image in art, Samsa reveals to us that a mask might reveal as much as it hides.
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